Where is THIS Jerusalem?

This poem is supposed to draw a stark contrast between William Blake’s
visionary ideal of Jerusalem as a symbol of peace and spiritual 
renewal, and the harsh realities of today’s Jerusalem, Israeli 
policies, and the ongoing suffering of Palestinians in Gaza. It 
confronts the devastation wrought by political decisions and military 
actions, refusing to cloak these tragedies with ancient myths or 
empty rhetoric. By naming the brutal consequences of leadership 
choices and highlighting the human cost on both sides, the poem wants to 
challenge readers to reconsider what Jerusalem truly means in our time.

And did the walls grow ever high
As wells were bombed and pipes ran dry?
And did the drones in perfect arcs
Ignite the night with deadly sparks?

And did the leader smile and stand
As ruins filled the desert plain?
And did he speak of peace and law
While turning mercy into pain?

Bring me no scroll, no iron creed,
No ancient flag to mask today.
Bring me the hunger, bring the dust,
Bring mothers digging through the clay!

I will not build a “holy place”
On shattered limbs and buried screams.
Jerusalem is not a throne—
It dies in leaders' brutal dreams.

🌷(4)

William BlakeJerusalemIsraeli politicsGaza conflictPalestiniansNetanjahupolitical critiquewar & peaceMiddle Easthumanitarian crisissocial justicepoetic adaptation

◄ No Mercy Left for Gaza’s Dying Children

Farewell, Your MAGAsty! ►

Comments

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Rolph David

Wed 13th Aug 2025 08:21

Good morning Manish and K. Lynn:
Thank you very much for your 🌷. I really appreciate it.
Regards,
Rolph

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Rolph David

Wed 13th Aug 2025 08:19

Good morning Stephen,
I just wanted to say thank you for reading my poem and sharing your thoughts. It really brightened my day to know that the piece reached you, and your encouragement gives me energy to keep exploring these difficult themes. I truly appreciate you taking the time to engage with it. And thank you for your "like", too.

Best regards,
Rolph

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Rolph David

Wed 13th Aug 2025 08:16

Good morning Uilleam,
Thank you very much for your comments and for noticing the contradictions between Parry’s musical setting of "Jerusalem" and my poem. I think your observation is very accurate: while Parry’s music celebrates England as a “holy land” and conveys hope, my poem aims to use Jerusalem as a symbol to reflect the reality today — with all the brutality, destruction, and human suffering associated with it. The tension between the idealised image and the present reality is exactly what I wanted to express.

Regarding Charles III, I totally understand your point from a moral perspective. At the same time, it’s important to remember that as a constitutional monarch, he is bound by neutrality and cannot publicly comment on such conflicts — even though privately, he surely feels compassion and may act differently. The restrictions of his office prevent direct statements, which does not mean he ignores the tragedies, but rather that he must adhere to the role that tradition and the constitution require.

Thank you again for taking the time to reflect on the irony and depth in my poem — I truly appreciate it.
And: I thank you for your "like", too.

Best regards,
Rolph

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Stephen Gospage

Tue 12th Aug 2025 21:00

An excellent, well-crafted and heartfelt poem, Rolph.

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Uilleam Ó Ceallaigh

Tue 12th Aug 2025 20:05

I've just seen a blind man,
who was confined to a wheelchair
being arrested
for opposing genocide
for attempting to prevent genocide
by holding up a piece of paper
saying that he does so.

Shame on you King Charles III for your silence on atrocity.

Shame on you, Starmer, for you complicity in atrocity.

YOU AND THOSE WHO SUPPORT YOU ARE MORAL
..................................................FILTH.....................................................


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Uilleam Ó Ceallaigh

Tue 12th Aug 2025 19:04

Thank you Rolph.
There's a great irony: I loved playing the organ music to Jerusalem, and now find the words so full of contradictions.

Your last stanza reminds me of some thing I wrote some time ago: time for a re-post; increasingly horrific news makes it all the more relevant.

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